Are you wondering if your script is ready to go out to producers, directors and stars? Do you want to take your script to the next level, sell it quickly and have it get made? Do you know whether the script is ready for the marketplace, or what to fix in the rewrite?

After examining your script's premise, tone, character development, dialogue, plotting, structure, rhythm, pacing, format, and overall marketability, Peter Myers will give you a spot-on, extensive write-up --- running anywhere from 6 to 20 single -spaced pages --- showing which areas need work, in order to give you a better shot at selling it ! Peter did this when he was a partner in several independent production companies, and he became very good at it!

Script analysis fee: $250.00, with a turnaround of 1 to 2 weeks. Post-analysis consulting fee: $50.00/hr.

Peter has either written for hire or optioned ten feature scripts and has had a number of things produced for the media of syndicated television and cable. In 2008, he anticipates writing a script for 2006 Oscar/Golden Globe nominee, actor Terrence Howard – who asked him to work on the project. Peter has developed a script with Best Picture Oscar-winning producer, Fred Roos. In 2005, a script of his won an Honorable Mention in the script competition at the Thunderbird Int'l Film Festival. His short film, Double Cross, which he co-wrote and co-produced, was offered a worldwide distribution deal within a month of its completion.

In 2008, a European princess hired Peter for low six-figures (with a mid-six-figure production bonus), to write a theatrical feature based on her life story. The project already has the interest of three producers, including one who has won two Best Picture Oscars, and another who already wants to do the film for $20 million. Additionally, 2008 Best Supporting Actress Oscar winner, Tilda Swinton, is interested in playing the role of the Princess' sister.

In 2007, Peter completed a sci-fi/action/thriller feature script for Bluewater Productions, which has also optioned three of his film treatments, which are either scripted or in development.

Peter has himself produced short films and is producing one of his own theatrical feature scripts in 2008 on a $5 million dollar budget, so he analyzes scripts from the viewpoint of a writer/producer.

You can reach Peter at 323-821-7349, 323-464-8537 or email him at peterdavidmyers@gmail.com.

If you want to read testimonials from Peter's screenwriter clients, there are some below, or, go to the link below, then scroll to "Comments".

SEE WHAT OTHER WRITERS HAVE TO SAY ABOUT PETER'S ANALYSES:

www.storylink.com/profile/peterdavidmyers

Peter looks forward to helping you write a great script!

TESTIMONIAL LETTERS FROM PETER'S SCREENWRITER CLIENTS (MORE AT WWW.STORYLINK.COM/PROFILE/PETERDAVIDMYERS) :

Peter -

I just wanted to personally thank you for the superlative script analysis you provided on my teen thriller/horror script GINGERBREAD. I incorporated many of your well thought out notes and as a result I'm having unprecedented success.

Just this past week, I received a phone call from Creative Screenwriting Magazine informing me that GINGERBREAD took Third Place (out of 3,500 submissions) in their AAA Competition. Needless to say, I was utterly shocked. Especially, because GINGERBREAD is a teen thriller/horror that would not normally be recognized in such a way.

The screenplay is now going out to 350 agencies and production companies around the town. Prior to this win, GINGERBREAD was also a Top Twenty script at the Slamdance Horror Competition and an Honorable Mention at this past year's Screenwriting Expo in Los Angeles. I'm already being contacted by Managers to see if I'm repped.

Thanks so much Peter. You really made a huge difference!

Best,

Dirk Levinsohn

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Peter,

What can I say; you are truly a master at what you do… I have to tell you a quick story. One year ago, I had submitted my script along with a check to a script analysis, in returned, three months later, I received a two-page double spaced letter back, stating that my script was well crafted, polished, and there is noting more that I can do… I was excited, so I submitted my screenplay in a screenplay competition. It won semi finalist out of 2,200 which is not to bad. I thought wow! What now? Thinking that my script was ready, I started submitting it to produces that had requested it. But in return, never got a response back… Even though this particular script-analysis told me that it was ready. I knew inside, that something in the script just was not working.. But what? I thought to myself.
Then I met Peter Myers, my script savoir. Peter, your work was not only worth every single dime, but you sent me a fifteen page SINGLE letter stating all the things that my script desperately needed or did not need. You turned it up, down and inside out. Your turn-around time was a whopping week in a half. WOW! Your work Peter was so detail and insightful that my script is now on the RIGHT PATH. You were honest, sincere and gave my script the attention that it needed.

Thank you from the bottom of my heart Peter Myers.

I look forward to your re-analysis.. "would not go anywhere else"

Sincerely,

Penny Laurae Onkka
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Peter,

Many thanks. WOW! What a lot of work you've done. You've really earned your money on this one.
Reading your analysis, I can see exactly why you've come to the conclusions you have and it will really help me to make my script better and more marketable.

I can see you're dead right on it - absolutely. As you say, I've got some work to do, but I can see what I need to do, thanks to you. Glad I met you.

Many thanks.

Ian

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Peter's comments about my romantic comedy script were extremely helpful. The tone was constructive and felt like it originated from a cooperative, let's-make-this-the-best-script-possible point of view.

Though the script needs some work, his comments inspired me to continue to look forward, to the future, with confidence, as I improve and fine-tune the process of learning how to put the fire on the page.

My dear Peter, thank you,
Mary Rutkovsky

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As a novice screenwriter I coudn't have made a better choice. Peter did an outstanding job on my script evaluation. I plan on sticking with him on future projects. He told me things about my script that I needed to hear and he did it in a kind way, to me, that aspect was very important. After discussing the problems and solutions, I now have a second gust of inspiration to finish my script with confidence that it will be better than ever.

I can't thank him enough.

Thanks again Peter.

Jason K. Shackelford

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Hi Peter!
Just wanted to say, "An Evening With Peter Myers" was excellent! It was the most helpful and liberating seminar I've ever been to on writing, and in particular, screenwriting and the business surrounding it. Your anecdotes, humility, sincerity, measured evaluations of the current environment and wise advice were just what I needed to get and stay inspired. Your inner strength and simple intention is contagious, and I'm glad I was there to catch it. Thanks!

Victor Rivero, Writer/Editor

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So glad I met Peter Myers! I'd had some success in a few contests but wanted to elevate my scripts to a professional level. Peter's complete, multi-page analysis was extremely helpful. Not only did he give great story advice but also marketing guidance from the viewpoint of a producer. Thanks so much, Peter.
Alexandra Stafford

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Peter,
Thank you for this analysis. I love it. A few months ago I almost went to a screenwriting seminar in NY but I didn't have time. So I thought, why not just spend the equivalent amount of money and buy books that will last forever. So I did buy a few great screenwriting books. The problem was time. I only had so much time to fit in writing so I procrastinated in reading the books. Last night I read your analysis of my script, which wonderful.

Many of the areas which I was not sure about at the time of writing you found and commented on. Interesting how there are so many things that pop up that I did not anticipate. Therefore, my format in certain areas was only my own invention, and, thus, you found these inventions to be unacceptable format. Thank God that the computer program does most of the formatting.

This one book, The Screenwriters Bible, Third Edition, is great. Sounds like you wrote it. I really should have read it long ago. Now that I have experience writing, the book makes more sense and I understand and can relate to what it discusses.

So I think your analysis was most valuable now and it blends in with my accelerated learning program relative to this profession. Your suggestions in all areas will be invaluable in getting this project to a higher level. I really appreciate your thorough evaluation and suggestions.

Thanks for being so complete in your analysis and time and cost efficient.
With Warmest Regards,
Brad Batchelor
Flying Scotsman Productions, Inc.

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Peter Myers evaluation and analysis of my screenplay was key in assisting toward its re-write and completion.

Peter first evaluated what was strong about my screenplay. No condescending screenplay bashing going on here! I felt respected as an artist and encouraged to write on, not stifled or discouraged as so often individuals who we trust our precious "babies" with do.

From there he critiqued for continuity and consistency of story and style. He helped me evaluate what was superfluous so I'd have a tight, moving story. I felt Peter's expert help got me beyond barriers that I would not otherwise been aware of. I very highly recommend Peter for his expertise as a writer/analyst and as a person who can be safe and trustworthy with such a delicate task!

Sincerely, Cassandra Spencer, Los Angeles, Calif.

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Peter was able to help clarify for me weak points on my current project, discover the scenes that were not contributing to the message and/or story, grammatical and continuity errors and over all direction. I would highly recommend him for script analysis.
Sincerely, Dharma Wright, Los Angeles, Calif.

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Peter Myers did a thorough script analysis for me on my soccer-related script. He examined all levels in the piece and told me exactly what I had to do to make it better. I would recommend him to anyone seeking a spot-on analysis of their screenplay.
Michael Hakim, Exiled Entertainment, Beverly Hills, Calif.

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To Whom It May Concern:
I am associated with a French actor/writer, and hired Peter Myers to do an analysis on the script, PINK LIMO. He gave me a 5 1/2-page, single-spaced analysis, which covered all the things needed on how to make the script better. He looked at the project from the creative and marketing angles. He didn't get into destructive criticism, but laser-beamed right to what should be worked on to make the script work fully. He understood the genre, but also discussed many details like story beats and dialogue needing improvement. Plus, he showed knowledge of how greenlighting decisions are made in Hollywood. I would hire him again, as the need arises, and would recommend him to any writer as a competent script analyst.
Sincerely,
Karin Zatt, Westwood, Calif.